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System and Method for Controlling the Humidity and Pressure in a Luminaire

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Under the show technical direction of Ola Melzig, a team of highly talented creatives, programmers, engineers, network architects and technicians collaborated to stage the first ever in-the-round ESC, breaking technical barriers and records!

Lighting designer Fredrik Stormby of Stockholm-based creative studio Greenwall Design and his team took care of all things lighting as well as co-ordinating the screens content, working in close conjunction with production designer Florian Wieder, and included on the lighting plot were 52 x Robe FORTES, 57 x T1 Profiles and 14 x T2 Profiles.

These Robe moving lights were used to cover all the stage and Green Room key lighting requirements.

Rigged on multiple roof and side trusses flown above and around both these major areas, all lighting equipment was supplied by Creative Technology Sweden together with the video and audio equipment packages.

The show also featured an extensive automation system that helped boost the dynamics of three vibrant live broadcasts – the two semi-finals and the grand finale – encompassing a total of 37 entries.

These specific Robe fixtures were chosen for their excellent CRI, intensity, and overall quality of light.

The FORTES were fitted with the HCF (High Colour Fidelity) TRANSFERABLE ENGINE module from Robe’s TE series of ground-breaking self-referencing, data-capturing LED light engines that are all designed, developed, and manufactured at the Robe factory in the Czech Republic.

The 1,000W White 6.000K HCF LED engine offers 35,000 lumens and an exceptionally high inherent CRI of 96, making these luminaires perfect for this scenario. The T1 and T2 both have CRIs of 95 and are already well established in broadcast and theatre worlds for optimising skin tones and colours.

As well as being utilised for general key lighting, several FORTES were configured to run part of an extensive remote follow spotting system, so they could be called up and activated as needed.

“As with any broadcast show, key lighting is one of the fundamentals, so we were extremely pleased that Fredrik was happy to work with these Robe fixtures,” commented Emil Hojmark, CT’s head of lighting for North Europe, who co-ordinated the lighting production. He added that they received “great support from Robe’s technical team” throughout the event period.

The load in at Malmo Arena – which also staged ESC in 2013 – started on April 3rd and was preceded by four days’ prep at CT’s warehouse in Malmo, used as a production hub for all the equipment procurement and provisioning.

Fredrik’s programming team included lead programmer for effects lighting Ishai Mika, lead programmer for key lighting Dom Adams, plus Isak Gabre, Linus Pansell and Leo Stenbeck. The assistant lighting designer was Louisa Smurthwaite (who was follow spot caller for the 2023 event in the UK) and the two associate LDs were Mike Smith and Michael Straun who worked in day and night shifts during the five-week rehearsal and development period.

Eurovision 2024 was won by Switzerland’s Nemo with their song “The Code”, closely beating Croatia’s Baby Lasagne with “Rim Tim Tagi Dim”, with Ukraine’s Alonya Alonya & Jerry Heil in third place with “Theresa & Maria”.

The 68th Eurovision Song Contest was organised by the European Broadcasting Union (EBU) and host broadcaster Sveriges Television (SVT) and was presented in Sweden for the seventh time. 

Fredrik Stormby, concepteur d'éclairage du studio créatif Greenwall Design basé à Stockholm, et son équipe ont pris en charge tous les aspects de l'éclairage ainsi que les contenus vidéos. Le plan de feu incluait 52 projecteurs Robe FORTE, 57 T1 Profile et 14 T2 Profile.

Le spectacle intégrait un système d'automatisation avancé pour les deux demi-finales et la grande finale, totalisant 37 représentations. Les projecteurs Robe ont été choisis pour leur qualité de lumière et leur rendu des couleurs exceptionnel.

"Comme pour n'importe quel spectacle retranscris à la télévision, l'éclairage est un des éléments essentiels à sa réussite. Frederik et nous même, étions donc très satisfaits de travailler avec des équipements Robe", a commenté Emil Hojmark, responsable de l'éclairage pour l'Europe du Nord chez CT. Il a également ajouté qu'ils ont bénéficié d'un "excellent soutien de la part de l'équipe technique de Robe" tout au long de l'événement.

Pour rapel, cette année l'Eurovision 2024 a été remportée par Nemo, représentant la Suisse, avec la chanson "The Code", suivi par Baby Lasagne de Croatie et Alonya Alonya & Jerry Heil d'Ukraine. Organisé par l'Union Européenne de Radio-Télévision (UER) et Sveriges Television (SVT), cet événement s'est tenu en Suède pour la septième fois.

L'Eurovision 2024 avec Robe

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