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LEDWash 300™

Arrêté
LEDWash 300™ | ROBE lighting

LEDWash 300™

Arrêté

Utilizing 19 multichip LEDs and motorized linear zoom 15 – 60 degrees the ROBIN® 300 LEDWash offers great flexibility with superior homogenization of the light source.

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Source

19x 10W RGBW LED multichips

Flux lumineux

2.680 lm, 1.710 lx @ 5 m

Plage de Zoom

15° - 60°

Effets

3 LED rings control, rainbow effects, tungsten lamp effect, pre-programmed whites

Innovations
GDTF – General Device Type Format
GDTF – General Device Type Format

Le General Device Type Format crée une définition unifiée pour l'échange de données relatives au fonctionnement des projecteurs intelligents, tels que les projecteurs motorisés. Le format de fichier est aisément lisible par les utilisateurs et a été développé à partir de formats open source.

Spécifications Techniques

News liées

07 / 02 / 2024
Panto Time for Robe

Lighting designer Andy Webb didn’t have any hesitation about which additional production lighting he wanted on the rig for two high-profile UK 2023-24 pantomime seasons … and that was Robe!

15 / 12 / 2022
Robe in the Spotlight for the 2022 Basketball Champions League Final Four

The 10,000-seat capacity Bilbao Arena this year for the first time hosted the 2022 FIBA Basketball Champions League Final 4 season-ending tournament with over 100 Robe moving lights highlighting the action for a venue packed with enthusiastic basketball fans plus a huge televised audience.

02 / 08 / 2022
Robe iSpiiders for Big Brother South Africa

South Africa based television lighting specialist Blond Productions supplies technical production for a slew of popular reality TV shows which have included several iterations of Big Brother over the years. There was much anticipation this year when the South African version – Big Brother Mzansi – returned for the first time since 2016 produced by Red Pepper and broadcast on Mzansi Magic.

07 / 01 / 2022
Robe Adds Magic to Cinderella Panto Production

The UK panto season is back with a BIG bang after waiting in the wings during 2020 as the country squared up to Covid-19, reigniting all things panto like slapstick comedy, toilet-brow innuendo, gawdy sets, psychedelic vibrance and total craziness for which it’s known and appreciated, with lighting designers around the country delighted to be back working on this peculiarly English and highly expressive genre of performance.

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